Oddments

In search of story


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November 3.20: Coping

Beset by inane logorrhea,

I turn to time-honored idea:

when the world goes askew,

make you some goo,

the original holistic panacea.

 

Here we are, dear reader, in this country, in desperate need of goo. “From sea to shining sea” used to refer to the beauty of the land; now it refers to angst, despair, fear, rage, frustration, isolation, loneliness, and profound exhaustion. And it is likely true that wherever you live it is the same. You might not have an election to deal with, but you likely have illness and death and uncertainty and loneliness stalking you. I offer you this goo by way of saying I wish I could make things better for all of us.

 

 


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Connections: October 25.16

2015-10-50-chocolate-acornI am generous to a fault

so I give this gift to you.

Now please excuse me while I seek

the tree on which it grew.

Dear reader, did you know that October 28, better known as THIS FRIDAY,

is National Chocolate Day? My calendar says so; therefore, it must be true.

Are you ready for it?

More thanks to the S.W. Berg Photo Archives.

Connections


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Art forms

Several months ago, I was one of five writers sitting around the dissecting table, the bones of paragraphs strewn about, muscles of terse descriptive phrases exposed. We viewed the specimens with renewed resolve and despair. Also with egg salad sandwiches and chocolate cupcakes.

We spoke of our upcoming summer and the perceived impediments to writing. I said I had walls to paint. Two of the five burst into rhapsody: “I love to paint!” The thrill in their voices was real. Can we extrapolate that in every gathering of writers 40% will be lunatics? Have their brains been twisted by revisions, their perceptions dulled by analogies, their childhoods misspent with the Thesaurus?

I’ve had ample time to ask these questions as I’ve been felled by full paint cans, skinned by the ladder, splattered by brushes, and shackled by edging tape. As I struggle to disentangle myself from the drop cloth, which has also grabbed the ladder, I lose my sense of the horizon and tip the tray of paint, which goes the way of all things: down. Mostly over my feet. “I love to paint!” is not what I say.

What is it that causes people to love to paint? Is it a rush from a quadrillion shades of white? Is it dances with ladders? The delicate interplay between plumbing and roller? The up-close voluptuous curves of the toilet? The absoluteness of the baseboard line?

What am I missing here? To me, this is mess and mayhem, bruised shins and rudely awakened muscles, slobbering brushes and drooling cans. What’s to love? It occurs to me that there are those who would ask the same question about writing, and I am forced to shrug weakly and capitulate to the inexplicable.

Not a box of chocolates.

Not a box of chocolates.