Oddments

In search of story


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April 30.22: Coping, but barely

Where are the toes

with which we hold

when we reach, teetering,

for the tender goaled?

When life twangs

our bearings like rubber band

and we, poor spitballs,

clawless in foot and hand,

hover on the verge of shot

yet, refusing to be denied,

become the squirrel,

wind and gravity defied,

and clutch that feeble twig,

how do we dare?

Does the soul have claws

that hold us there?

 

 

It seems appropriate, dear reader, to end Poetry Month with a question since I always start it with a question: what is poetry? Still scratching my head on that one.


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April 22.22: Coping, but barely

The pensive dog,

drowsed by talk,

took her thoughts

on wooded walk,

contemplative

and solitary,

past springtime’s

ruffled luminary.

The daffodils sighed

as she passed by,

looked after her

with solicitous eye.

 

This, dear reader, is Miss Janey Pickles. I’m told she is named for a literary figure beloved by my daughter-in-law. Some people speak of their grand-dogs; I am not one of those people. Janey Pickles is not my grand-dog even though she belongs to my daughter-in-law and my son. Or they belong to her. Whichever. The amazing thing about Janey Pickles is that sometimes she’s awake.

 

 


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April 17.22: Coping, but barely

Old ways,

fragile shell,

human spirit

indomitable.

In tiny line

a testament,

promissory

document.

 

I believe these eggs are Ukrainian pysanky; they were a gift back around 1980 and have moved a lot with me. I am in awe of them and I unpack them every year hoping it won’t be the year I break one. This year more than ever.

Whatever your traditions, dear reader, may there be signs of new life for you, and may your traditions preserve your story. May our species one day prefer peace.

 

 


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April 9.22: Coping, but barely

 

“Hello! I must be going!”

a tune too rarely heard,

wafted through the air

from waddling squatty bird.

Crestfallen and bewildered,

the pup, his tail a-droop,

wondered if he’d erred

in mention of “Duck Soup.”

The huffy Madame Mallard,

like all good critic quackers,

made it known that she prefers

the classic “Animal Crackers.”

 

With a salute to Marx Brothers movies:

“Animal Crackers” (1930)

“Duck Soup” (1933)

(What else would a dog and duck talk about?)


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April 7.22: Coping, but barely

The thing about time:

it’s never where I’m.

 

Some of you know that my father referred to me as “the late Maureen O’Hern,” that my family said I was insufferably poky. I maintain I was deliberate. Those of us who live deliberately tend to think things over — and over — before we act. Clocks and calendars are annoying.

Thus did I miss that Poetry Month is upon us.

I seem to be in a perpetual state of catching up. Time and I are, and always have been, at odds. Or perhaps it’s just the measurement of time. “Late” is relative only to clocks and calendars, yes? This leads me to think about how we measure time so surgically. The vast amoeba of life cannot be held in tidy sequences. But could it be measured in poetry, which, to me, is anything but tidy?

This time of Now is saturated with blood and tears. Grief and anger are chewing us up. Clocks and calendars cannot measure it. Maybe the measure is taken in a certain kind of written word, in painting, drawing, photography, sculpture, music, maybe even in the ephemera of a garden. If I can ever figure out what poetry is, perhaps I will find that all the above are types of poetry.

I think we seek the timeless. May you find it where you seek, dear reader, especially in Poetry Month.