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Connections: April 30.18

Uriah Heep

in skulking hunch

lifts away

from scavenged lunch

umble pie

for every meal

wardrobe stark



his beggar’s ways

devious, wheedling

low sashays

piercing caw

reveals the rub

to wreak revenge

for umble grub.



With thanks and apologies to Charles Dickens.

And more thanks to the S.W. Berg Photo Archives.











Connections: April 28.18

And so it begins


triumphant bow

or nemesis

the garden that was

the one that will be

hover in mind


evolving in increments

slow, heuristic

I allow a trifle




And so, dear reader, with this first purchase,

begins the adventure of turning someone else’s garden into mine.





On writing: April 26.18

Well, dear reader, here it is Poem-In-Your-Pocket Day, and I have nothing for my pocket and nothing for yours. This year has been the first in several when I haven’t cared a lot about Poetry Month. It’s been one of those writer’s slumps which maybe you understand.

I can’t even figure out what poetry is, and am nearing the conclusion that poetry is such a subjective thing that there must be a different definition for each of us.

I often meet something called a poem but to me it seems like prose. Why is it a poem?

I try to use rhyme in my poems — if such they are — because I like the discipline imposed by rhyme. (I admit I also like the entertainment — trying to rhyme can be hilarious.) But I know that rhyme doth not a poem make.

I have read that the root of “poem” is a word meaning “to make.” That suggests that a poem is something deliberately crafted. I have heard that poetry is acoustic, that the sound of the words is part of its essence. I have heard that poetry captures a moment. But have you ever read Mark Twain’s descriptions of the Mississippi River? If those aren’t crafted and acoustic and immediate, nothing is. Yet they aren’t considered poetry.

Someone told me that if you think you’re a poet then you’re a poet. Really? That’s all there is to it?

So it all seems a bit ambiguous to me. I’d rather it weren’t.

Maybe I’m trying to define the undefinable. Maybe you get that, dear reader, and so I hope you have a poem for your pocket even if it isn’t from me.




Connections: April 25.18

The tulips languish, sodden,

(those not by rabbit eaten)

jonquils merely leaf

cold-weary, winter-beaten.

A miser’s hand apportions

the flowering of this spring

there’s scant delight in the meadow

and nary a daffy-down-dilling.

But from windless cozy house

a trumpeting four-in-one

sings out to the colorless garden:

“I’ll show you how it’s done!”

It quadruple megaphones

“You can be like me, yay, verily!”

the concerted garden response

comes back somewhat raspberrily.



With thanks and apologies to Shakespeare.




Connections: April 22.18

In palette vast

the earth enhues us;

with awe and wonder

it should infuse us.

If we grow smug

and shrug,


it will rouse us with

loud peals of white.



Thanks more to the S.W. Berg Photo Archives for this glorious Earth Show.

May we come closer to stewardship on this Earth Day.






Connections: April 21.18

Away to the left

in a swatch of bright blue

patisserie aura

is hidden from view.

It’s easy to miss

if you don’t know it’s there,

but once it’s discovered

it’s a rapturous lair.

In its own mythic nook

removed, set apart,

it revels in oven-birthed

edible art.

And thus did these words

bring tears to my eyne

when I read the decree

on the world’s saddest sign.



Thanks yet again to the S.W. Berg Photo Archives.

And thanks to Rene’s Bakery, in the Broad Ripple area of Indianapolis, for its incredibly wonderful offerings.