The dark glistens mid-day
and raindrops
the size of watermelons
plop
on the plump of August.
Soon September.
The dark glistens mid-day
and raindrops
the size of watermelons
plop
on the plump of August.
Soon September.
Who knows our curves and swerves,
angles, arcs,
down to our nerves?
The shadow knows.
Who knows our stride, each slip and slide,
but must keep up
tight by our side?
The shadow knows.
Who knows our pounds and rounds,
but vowed to silence
makes no sounds?
The shadow knows.
Who knows to blear, to interfere,
to block the light
its whole career?
The shadow knows.
Once upon a time, dear reader, there was a member of the family known as “the radio.” Look it up. One of its programs was called “The Shadow.” Now even I am not old enough to remember “The Shadow” (though I do remember the radio), but I am indebted to it for its immortal words: “Who knows what evil lurks in the hearts of men? The Shadow knows.” How awesomely ominous.
(An edit here: after I read Judy’s comment below, I realized that I am more than old enough to remember “The Shadow.” I just don’t. But in the interests of honest blogging I must clarify.)
As you know, dear reader, I have often thanked S.W. Berg, aka Bill, for his wonderful photography. This is Bill. His camera went off without him, in cahoots with his shadow. A nice conspiracy.
Upturned
to its cousin the cloud
like porcelain saucer
does each white flower
catch the spill of sun.
Gardening with gomphrena,
the garden polka-dot,
tunes me in to smallness:
obvious it’s not.
It’s called a button flower,
but what we see is bract
that shouts in brazen scarlet
I am BIG compact!
Tantara! it blazes,
refusing to be shy,
fanfare for itself,
scalding to my eye.
It never ceases
to amaze,
this gold of
Apollonian rays.
Salad days
are with us yet
in 24-karat
dawn vignette.
With thanks to Shakespeare
and to photographer Emily Berg Baine.
Diminutive and rustic,
sly in gnomish size,
unblinking, unassuming
giant in disguise.
More thanks to photographer S.W. Berg,
and to unseen people
who do good things.
The world is a-gurgle,
the pond a-splash,
the flowers a-slurp,
the sky a-flash,
and thus does summer
wash its face,
preparing for autumn’s
russet embrace.
Discouragement abounds,
angst, depression, fears;
my pate completely addled,
my brains ooze out my ears.
I feel as though I’m squeezed
by vise of pointless tripe;
innuendo and conspiracy
spring up in endless hype.
And isolation never helped
the cause of sanity;
it gives the upper hand
to crazed inanity.
I look for logic, reason,
a sense of what should be;
I find it in the bakery
in sweet geometry.
I do not make light, dear reader, of those who have little food. Or none at all. I know how fortunate I am to think about desserts.
Many thanks to photographer S.W. Berg
and to the artist-bakers at la Madeleine.
Morning came
too quietly,
neither chirp nor trill,
but only cicada’s
serrated drone.
A very timid cricket
tuned his small pipe.
There I stood,
knee-deep in July,
prickly and unsure,
so restless was the quiet.
Now the dark of August nights
and no firefly winks.
The Green Heron blats
like fallow French horn
once or twice a day,
and maple leaves,
scorched,
bleed at their edges.
Do I imagine
the urgency?
Time is out of sorts,
as am I.
“The malignant air of calumny has taken possession of all ranks and societies of people in this place…The rich, the poor, the high professor and the prophane, seem all to be infected with this grievous disorder, so that the love of our neighbor seems to be quite banished, the love of self and opinions so far prevails….The enemies of our present struggle…are grown even scurrilous to individuals, and treat all characters who differ from them with the most opprobrious language.”
According to David McCullough’s book “John Adams,” Christopher Marshall wrote the above in 1776.
Perhaps spellings have changed, and maybe vocabularies have weakened a bit, and maybe also “social media” is no longer the handwritten letter, but otherwise Mr. Marshall would not be much surprised, it would seem, by any of the news accounts today. So I pass it along to you, dear reader, for what it’s worth, and I leave it to you whether to laugh or to cry.