Oddments

In search of story


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June 15.21: Coping

The eye of the hare,

what jaundice hue,

therein hinted

a whole world view,

carrot-tinted,

gluttonous gleam,

taking measure

in pound and ream,

spying greens

and petals fair —

what was planted

no longer there.

A lesson life

has clearly taught:

know when your efforts

come to naught;

to try again is

laudable habit,

but not when competing

with the rabbit.

Let it go,

it wasn’t to be;

the garden this year

is plant cemetery.

 

Alas, dear reader, it seems not to be a year for a garden. Moss roses, daisies, marigolds, gauras, zinnias, lantana, even spiny rudbeckia — chomped. Dill? Parsley? In my dreams! What with the rabbits devouring my flowers and the cicadas dive-bombing me, I think this might be the summer I stay inside and clean my house. OK, you’re right: that’s not likely. But still I’m steamed.

 

More thanks to photographer S.W. Berg and to sculptor Jürgen Goetz, and to the rabbit that posed for Dürer’s drawing, thereby giving Goetz inspiration for his sculpture, glowering near Dürer’s house in Nürnberg. The gnarled hand under the hare is obviously the defeated gardener.

 


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June 12.21: Coping

What count today?

How many swings and swerves?

Is her language getting colorful?

Are we getting on her nerves?

Did you see my body slam?

Mid-forehead, perfect aim!

Well, I got her on her ear —

I love this summer game!

What sport her dodge and dip,

her crazed and darting eyes,

her twitch at our chorale

of razors in the skies.

I’ll race you to her head!

Come on! I double-dare!

The winner is the one

who gets tangled in her hair!

 

 


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June 4.21: Coping

Bassoonist in the pond,

tireless serenade,

accompanies the hours

from dawn through midnight shade.

In sunshine, gruff continuo

beneath the madrigal

of chirp and honk and buzz

in summer’s concert hall.

By moonlight, Shostakovich

in solo lullaby,

sandpaper to the ear,

yet weighty to the eye.

The fish in slow ballet,

the heron straight and still

attune themselves to tuneless

amphibian leaden trill.

Redundant though its song,

endless though it seems,

its hopeful constancy

all monotony redeems.

 

As you may recall, dear reader, frog song used to keep me awake,

and now it seems like an old comforter.

 

 


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June 2.21: Coping

I’m so little I can hide me

among the garden rocks,

I’m as welcome as a locust

and cute as chickenpox.

I wear a soft and furry coat

with cottontail behind,

but my heart is solid porcine

my ancestors all swine.

Chorus: Oh, engorgement!

I’m happy to my toes!

I’m coming for your garden

with a clover on my nose!

 

To be sung to the tune of “Oh, Susannah.”

With apologies for the foggy look:

I had to finagle a shot through the Venetian blinds again.

 


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May 9.21: Coping

The world’s a big place,

it can tucker you out

when you’re trying to figure

what it’s about.

That doesn’t change much

as we age through the years,

those grass blades of life

still up to our ears.

We still need a wing

for safe featherbed,

but sometimes we rest

on a memory instead.

 

I’m not a big fan of Mothers’ Day, dear reader. However, I am a fan of mothering because mothering gets us started in life.

There are many who are not biological mothers but are mothers nonetheless. I salute every one, and I wish a happy day to all who mother.

On a more (typical) curmudgeonly note: you know, dear reader, I hate these geese; I do not thrill to see another generation. It is only with pained reluctance I am forced to say this snoozing fuzzball is maybe a little bit cute.

 

 

 


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May 4.21: Coping

Kirk had it wrong;

that Final Frontier

isn’t some star —

it’s much more near.

It’s when you decide

you’re going to paint

and are sharply reminded

that young you ain’t.

This job designed

by Beelzebub

requires my head

between toilet and tub.

I used to could bend —

that’s historical fact —

but now I can’t seem

to be so compact.

My hips both object,

my knees ping and crack,

that creaking sound

is my lower back.

This be my swan song,

I won’t try this again;

I’ll adjust my horizons

to more accommodable yen.

I’ll hope to complete

and finish it nicely,

then I’ll turn in my brush

and hang out at Mos Eisley.

 

 

May the 4th be with you, dear reader!

And, yes, I’ve mixed Star Wars with Star Trek. Maybe poetic license is the REAL final frontier. I should have thrown in a Captain Video secret decoder ring.

 

 


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April 28.21: Coping

The frizble connects to the whatnot,

the whozzis fits under the thing,

don’t ever mistake the doohickey

for the updated technomajing.

Thus is this whatchamacallit

in aperture, appendage, and bloat

an eloquent manifestation

of gibberish with which I am smote.

It’s the shape of my grandchildren’s planet,

a world they inhabit with ease,

conversing in hieroglyphed newspeak,

fluent in emojieese.

Their view of the world is brand new,

just the way that it really should be;

I grudgingly grant I am miffed

that it gets along fine without me.

 

 

More thanks to photographer S.W. Berg.