There once was a housefinch named Louie
who fretted crabapples were hooey:
“They pucker my beak
and strain my physique!”
And he flew away chirping “p-tooey!”
Once again, dear reader, the urge to add Burma Shave.
There once was a housefinch named Louie
who fretted crabapples were hooey:
“They pucker my beak
and strain my physique!”
And he flew away chirping “p-tooey!”
Once again, dear reader, the urge to add Burma Shave.
If you were light
and could play on a rose,
would you slide,
do you suppose,
down velvet hill,
where shadow splash
marks your soft plop
with grinned panache?
Then would you climb back up,
find that shy frill,
and pirouette there
in lucent trill?
Would you leap tip-to-tip
with weightless toes,
like drunken sprite
in perfumed throes?
Under, behind
each vale and peak,
would you dodge and dive
in hide-and-seek?
Would you stop perhaps
and oly-oly-ocean-free
to bask in the stillness
of unfurling reverie?
There is mystery here, dear reader. Apparently some call “olly-olly-oxen-free.” I was intrigued to see that some people who were kids in the Chicago area called “oly-oly-ocean-free” because that’s where I was a kid and that was our cry. So, oxen or ocean, nobody knows, though I did like the suggestion that olly/oly came from all-ye as a call at the end of the farm day to put everything, including the oxen, away for the night.
I remember it as inviolable. Once called, nobody could be tagged. Non-negotiable.
Many thanks to Susan Rushton for the beautiful photo!
An ordinary window,
an ordinary day,
an ordinary glimpse,
then mental tour jeté.
A camera must be had!
Indecorous dash ensued,
then, breathless, stealthy, sly,
I engaged in conduct crude.
In blushless want of manners,
intrusive imposition,
brutally dismissive
of my need to get permission,
I zoomed in on his person,
with brain and camera focus
on this feathered fisherman
and his wintry bare-branched locus.
He appeared a bit put out
at what the flower said,
which made his handsome feathers
stand up atop his head.
I wish I could have heard
but this is all I got;
I could sneak clandestine photo,
but eavesdrop I could not.
And thus the common day,
as if by magic word,
was instantly transformed
by a Merlin of a bird.
It was because of Walt Kelly’s brilliant Pogo illustrations that I knew this was a kingfisher. It was the Internet that told me it was a Belted Kingfisher. Why it isn’t a Collared Kingfisher I do not know. The Internet also told me that it is common in central Indiana. I think not. This little guy was a first for me.
I stood in the middle of my living room, far back from the window. This fine specimen was on a tree across the pond. All hail the power of the zoom!
“The Last Rose of Summer,”
that plaintive Irish keen,
sang itself inside me,
soaring yet terrene.
This brilliant ruby voice
of color ‘mid the browned
insisted that its smallness
was yet a mighty sound.
November madrigal,
enrobed in regal satins,
sleeps now in quiet earth
awaiting springtime matins.
Some will tsk and say that a moss rose is not a rose, that Portulaca and Rosa have nary a botanical thing in common. But you know what Shakespeare said, dear reader: “a rose by any other name.” If my grandma called it a moss rose, then it’s a rose. Grandmas rule.
With thanks to Irish poet Thomas Moore.
Brown birds,
brown leaves,
crackles, crumbles,
webs in eaves.
The glossy crow
in polished black
perpetual
melancholiac.
Pallid sky,
sunlight void,
droops a greyness
ichthyoid.
Pond of slate,
grass turned rubble,
wind that moans
of toil and trouble.
The year grows weary,
needs to sleep,
gardens snuggle
in winter’s keep.
Beshawled and flanneled,
I watch the earth
beshawl itself
with color dearth.
With apologies to Shakespeare.
There was a time
when I would climb,
jump and hang and crawl,
confetti’d leaves
in shoes and sleeves,
telltales of autumn brawl.
With summer old
but not quite cold,
the air a heady brew
of acorn dust
and toadstool must,
the world was strangely new.
The leafless trees,
my youthful knees
together rocked the day;
in nature’s gym
my scuffed-shoe vim
had eternity to play.
I’d like to now,
but, holy cow,
I just can’t make me do it;
if I should try
I fear that I
would very shortly rue it.
With more thanks to photographer S.W. Berg
and Fort Harrison State Park.
I think I can say without fear of (much) contradiction that I am not the only one in this blogging room who would love to kick leaves all the way up to that big old dead branch, climb on it, jump up and down, hang from it, walk it like a tightrope. Nor am I the only one who would decline the temptation. There isn’t enough liniment in the world.
It wrapped me like a cloak, that papery sound. October’s leaves, battered and bruised, but holding yet, whooshed thickly in a wind tantrum determined to strip away every remnant of summer, thrashing the trees and twisting each leaf, growling down from the dishwater sky and around our little homes, impatient for winter.
The air was warm still, but one muscular shove from the south bore an invisible stream of ice, a whisper in the tumult, frost-winged specter. I felt it and knew then it was saying what it came to say, this insistent rush.
I bent over the lavender, itself bent low. Spent, sleepy, it offered up a final incense as I trimmed back its floppy stems. Two fat bees lumbered through the air to watch and sniff. They too heard the Babel of the papery leaves, in tongues of crimson and copper, and saluted the deep purple of my harvest. They too knew the time.
Green is so yesterday,
the marigold said,
purple is trending
(though some say it’s red).
I’m the David that blooms
an eyeful of sun;
by Goliath of maple
I’ll not be outdone!
Ceres paints in shades of cream,
daubing light like candle gleam
in autumn;
a mother’s sign when daughter leaves,
soft-whistling wind in union grieves
in autumn;
in seed-pod spike, in brittle stem,
desiccated requiem,
in autumn;
grasses in allegiance tender
bow their annual surrender
in autumn;
luminous mantle, light as breath,
gentle over sleep and death,
in autumn;
mother’s vigil thus ignited
over waning year twilighted,
in autumn.
More thanks to photographer S.W. Berg
and to artful arranger D.J. Berg.
Tomato bells,
dew besotted,
ring in language
polyglotted;
the dawn at play
in halo’d bead
in every tongue
gardener’s meed.