How like Venus,
with wisp of night cloud,
twiggy veil,
rising, unbowed,
daring the eye to see,
the word to say
what some Olympus
has made of clay.
Did you see it, dear reader?
What a wonder!
How like Venus,
with wisp of night cloud,
twiggy veil,
rising, unbowed,
daring the eye to see,
the word to say
what some Olympus
has made of clay.
Did you see it, dear reader?
What a wonder!
Hope is the thing with feathers,
according to the poet;
this wind-coiffed matted stalwart
is adamant to show it.
Waterlogged, bedraggled,
moroser by the hour,
he watches plashy pond,
indomitable and dour.
But persevering, patient,
resolute in attitude,
it isn’t raining rain, he says,
it’s raining fortitude.
I salute unpretty Hope,
my admiration bestirred:
it may be the thing with feathers,
but it’s surely a tough old bird.
With thanks to Emily Dickinson.
And to the purists I make no apologies for “moroser.”
It’s a poem. Ergo, poetic license.
When metaphor is obvious,
should writer take the bait?
Should she write what all can see,
then self-excoriate?
Such conundrum filled my head
as I marveled at the sky;
two swells of salmon brilliance,
sharp blue widened my eye.
But intruding on the beauty,
unwelcome imposition,
a bar of light reflected
like ghostly apparition.
It came from light behind me,
insubstantial, weightless thing,
reflection like a wall
blocking, interfering.
Herein the metaphor,
the cliché all writers dread:
how often what’s behind us
interferes with what’s ahead.
YESTERDAY
The gods of winter rose
against the fragile spring,
roared and raged in angst,
spat ice on everything.
The lilac buds all shivered,
the ducks could barely quack;
spring appeared forsaken,
winter had come back.
But winter gods, those bullies,
with eyes so cold and shifty,
know their days are numbered:
today it will be 50!
Early spring,
winter’s grip,
intense the will
at lilac tip;
just so within
the urge to sprout
though sunless times
and spirit’s drought.
What we see every day
after a bit of life
we no longer see.
Then a puckish light
intrudes
and conjures a shadow
there and not there,
playing,
and we watch
with sudden sight.
More thanks to photographer S.W. Berg.
Do they think they sing?
Can they be so deluded
to imagine their noise
sounds dulcet and fluted?
Do they look in the mirror
and see sweet warbling wrens?
What’s in their water —
hallucinogens?
Each blats like a semi
but thinks it’s a peep?
I ponder this nightly
in honk-battered sleep.